{"id":10692,"date":"2023-01-19T00:56:05","date_gmt":"2023-01-18T22:56:05","guid":{"rendered":"https:\/\/metacpc.org\/?p=10692"},"modified":"2023-01-20T10:31:23","modified_gmt":"2023-01-20T08:31:23","slug":"miroslav-spasov","status":"publish","type":"post","link":"https:\/\/metacpc.org\/en\/miroslav-spasov\/","title":{"rendered":"Idiosyncrasies for contrabass clarinet and electronics, by Miroslav Spasov"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Idiosyncrasies for contrabass clarinet and electronics, by Miroslav Spasov\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/hYryFhRSaIg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Idiosyncrasies for contrabass clarinet and electronics<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-accent-background-color has-background\"><a href=\"http:\/\/miroslavspasov.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">by Miroslav Spasov<\/a><\/p>\n\n\n\n<p>CBCL: Sarah Watts<\/p>\n\n\n\n<p>World Premiere at the 2019 SABRe day (01\/02\/19), Zurich, Switzerland<\/p>\n\n\n\n<p>This piece uses the SABRe senor technology<\/p>\n\n\n\n<p><strong>Idiosyncrasies for contrabass clarinet and electronics<\/strong> tells a &#8216;story&#8217; about moving from one into another world where the &#8216;old&#8217; acoustic contrabass clarinet evolves into a new &#8216;Another&#8217; one as its original sounds are &#8216;expanded&#8217; into electronics.<\/p>\n\n\n\n<p>String quartet Vesna Ayama played by the Kreutzer Quartet from London gives an idea of a\u00a0 new society &#8211; the new era being symbolised by the title: Vesna (Spring) and Ayama, a Sanksrit word meaning \u201cexpansion,\u201d \u201cextension\u201d or \u201cbreadth. Written for the Centenary\u00a0of \u00a0Stravinsky&#8217;s Le Sacre du Printemps premiere in Paris.\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Idiosyncrasies for contrabass clarinet and electronics &#8211; by Miroslav Spasov<\/p>\n","protected":false},"author":8,"featured_media":10699,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"template-parts\/content-blog.php","format":"standard","meta":{"_acf_changed":false,"_eb_attr":"","_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"_tribe_events_control_status":"","_tribe_events_control_status_canceled_reason":"","_tribe_events_control_status_postponed_reason":"","_tribe_events_control_online":"","_tribe_events_control_online_url":"","footnotes":""},"categories":[61],"tags":[],"class_list":["post-10692","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-what-we-like-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/metacpc.org\/en\/wp-json\/wp\/v2\/posts\/10692","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/metacpc.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/metacpc.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/metacpc.org\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/metacpc.org\/en\/wp-json\/wp\/v2\/comments?post=10692"}],"version-history":[{"count":3,"href":"https:\/\/metacpc.org\/en\/wp-json\/wp\/v2\/posts\/10692\/revisions"}],"predecessor-version":[{"id":10775,"href":"https:\/\/metacpc.org\/en\/wp-json\/wp\/v2\/posts\/10692\/revisions\/10775"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/metacpc.org\/en\/wp-json\/wp\/v2\/media\/10699"}],"wp:attachment":[{"href":"https:\/\/metacpc.org\/en\/wp-json\/wp\/v2\/media?parent=10692"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/metacpc.org\/en\/wp-json\/wp\/v2\/categories?post=10692"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/metacpc.org\/en\/wp-json\/wp\/v2\/tags?post=10692"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}